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How Good Are Online Singing Lessons?

Posted by Melissa Ellen on June 13, 2011 with 0 Comments

How Good Are Online Singing Lessons?

Chuck L Stewart Basic Author Joined: March 10, 2009 5 Articles

The value and effectiveness of online singing lessons has everything to do with what is being taught.

The reason for this is that there is very little standardization in the arts, in general. So, you might be getting a lesson that is fifty or a hundred years behind the times. All singing lessons are not the same. Shopping for singing lessons is like shopping for new and used cars. The differences are vast. You sometimes do not know what you are paying for until you run into the disappointment of having made a bad decision.

Some people say that the most important thing about singing is breathing. Some say that you “sing from your diaphragm”. Not only do they say that, they are adamant about this being the only correct way to sing, as if they are religious zealots. They sometimes get angry when you question this. They let you know that “everybody knows that”. This is simply untrue. You do not and cannot sing from your diaphragm. Physicians have known this for a long time. For over a hundred years, physicians have known the function of the diaphragm. I’ve asked several doctors about this and they all agree that the diaphragm is your “inhale muscle”, not your “exhale muscle.” Ask your own doctor next time you get a chance to visit with him or her. How much is a useless lie worth to you?

Here is a free online singing lesson: “Sing from your diaphragm!” Since this is an impossible thing to do, it is useless advice. Did you know that your diaphragm does not have proprioceptive nerves in it? This means you cannot feel it, let alone manipulate it in magical ways to make it work upside down.

You could get a lesson on singing classical music. What if you want to do R&B, pop, jazz, or country music? Some classical teachers would say that what you are doing isn’t even music. Some would say there is only one way to sing and that is opera. Some classical singing teachers would tell you that R&B, pop, jazz, and country music is all junk and isn’t even music. There is even a term, which I have heard from some jazz musicians use, calling classical music “legit”, short for legitimate music. What is the rest? Illegitimate? Is that not at least a distasteful term? If you do want to sing classical music, what if your teacher only teaches country?

You could get a lesson on how to place your tone in the “masque” or how to place it forward. You might be able to get your sound all up in your nose but you will find it difficult to place your tone somewhere, unless you have had mechanical placement valves installed by your ENT, along with the remote control mechanism. Who wants wires coming out of their heads unnecessarily? What travels at 750 miles per hour? Sound. How long does it take sound to emerge from your vocal folds (vocal cords), until it exits your mouth? Assuming that is less than a 12 inch distance, try doing the math on that one. Also take a look at some anatomy charts and books and see if you can find placement valves.

Let’s say that you have a specific problem that you want help with. Your voice cracks or you might say that you have a break in your voice. If your online teacher doesn’t know a passaggio from a potato, then you might instead buy yourself some French fries instead of an online singing lesson. Your money might be better spent.

Your voice can be used as a musical instrument. It is a living mechanism with several functions. There are muscles, ligaments, cartilages and living tissue, which can be used, exercised, coordinated and controlled to make some amazing music. It is a great idea if a voice teacher truly understands the function of the larynx. The tongue, lips, the jaw, and teeth are also used for articulation. There are two main types of vowels and several subtypes. There is a safe and effective to warm up your voice before you use it and this can save you trouble and can enhance your performance and your endurance. There are other things you can do which might harm your voice. You do not want to discover these things by accident.

You can find information about singing on my website (http://www.vocaleasy.com). It continues to grow and change as I continue to learn more about the voice from teachers and doctors. It was once thought that if you mix art with science that you will destroy the art. If you ignore the wonderful discoveries in the medical field, you may have a very short singing career.

Chuck Stewart
Chuck Stewart, Vocal Coach
http://www.vocaleasy.com

Article Source: http://EzineArticles.com/?expert=Chuck_L_Stewart

Filed Under: Vocal Coach

Types of Singing Training – Best Vocal Coaches on CDs and DVDs and Ebook Lessons – Different Types of How to Sing Training Method

Posted by admin on May 30, 2011 with 0 Comments

The article below about vocal coach has received a lot of interest, more than any other on our site. We believe it's because it pulls no punches. Yet, while it's an important issue, it's not all doom and gloom, there is another point of view that some find quite unorthodox, but workable.

This article has proven to be very useful to our readers and they come back regularly to keep abreast of the latest developments. While vocal coach remains an important subject, it's always an added bonus when you can be enlightened, and even amused by being shown the other side of the issue. Some things are not always what they seem. Read on for more insight.

Types of Singing Training – Best Vocal Coaches on CDs and DVDs and Ebook Lessons – Different Types of How to Sing Training Method

Author: sin gorama

There are many different types of how to sing training available. Some train to sing in church. Others focus on country singing. Still others put their energy into learning to sing opera. Each type of music and singing has its own special requirements and there are training lessons available that meet these requirements.

Types of Singing Training

How to sing training is not only divided up into the different styles of singing one can do. There are also different methods of offering the lessons available. The absolute best way to get vocal training is to hire a singing coach to help one learn the mechanics of singing, including breath control, resonance, and pitch. One-on-one training of this type allows for the greatest level of interaction between student and teacher. It also costs far more than any other type of lessons.

CDs and DVDs

Some of the best vocal coaches in the world have created DVD and CD based courses that provide how to sing training in the privacy of one’s home. These courses are set up to show the students the proper methods of breathing and singing to expand the person’s range and help him/her sing more powerfully. These lessons do not allow for the direct interaction between student and teacher that personal lessons do. These lessons also cost far less than one-on-one lessons with these vocal trainers.

Ebook Lessons

Some lessons can be found on the internet in the form of eBooks and/or interactive lessons with the coach on instant messenger or email. Video and audio content can be downloaded to one’s computer so that the lessons can be viewed or listened to at one’s leisure.

Finally, how to sing training books can be purchased in many music stores, book stores, and online. These books often lack the interactivity required to be of any use to new singers. However, more advanced singers who already know the basics can benefit from these books.

How to sing training is available for anyone, regardless of the singing style they follow. Rock/pop, country, gospel, solo, or choir, the mechanics of breathing properly, sustaining breath, creating notes with the voice, and projecting remain the same. Therefore, taking vocal lessons at any point in time or for any particular style can be useful across all musical disciplines. Once the mechanics are mastered, one can dedicate his/her energy to applying the lessons learned to the musical style that he/she is most interested in learning to sing.

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About the Author

Do you want to sing for personal pleasure? Do you want to sing in a band? Or sing in church? In a choir? Sing along with a musical instrument? Would you like to be sexier? Perhaps you want to be a star!

For More Info Visit :http://howtosingwell1.blogspot.com/

Vocal coach is such a complex subject that there are so many different ways to look at it. If there are any other areas you are not sure about, please have a look at some of the other articles on our website - we do a lot of research to make sure we present our readers with everything there is to know.

Please leave us a comment if there are more aspects of vocal coach you would like us to cover, and, be sure to come back. We update our information on a regular basis.

Filed Under: Vocal Coach

The Right Vocal Coach Will Have You Singing With the Best of Them!

Posted by admin on May 30, 2011 with 0 Comments

Are you looking for information about vocal coach? Here in this blog, we will tackle the different aspects, fundamentals and other points of interest about vocal coach. Many readers and enthusiasts find that this blog is a great place to start if you are new to the subject.

We provide detailed resources like photos, articles, videos and links that may be of good use for those who want to make a more detailed study about it.

Find the Right Singing Teacher

the Right Singing Teacher for YOU

Here’s some good information from Malik Hebert regarding the value of and how to find a singing teacher.

The Right Vocal Coach Will Have You Singing With the Best of Them!

Author: Malik Hebert

Just like in everything else, choosing the right singing teacher can either make or break your singing career or aspirations. So it is of great importance that you hire good singing coach for your vocal lessons.

Beyond learning how to read music scores, what a singing teacher will do is to impart and train you the correct singing techniques. While a university professor teaches you about what you have studied and how to interpret it, singing teachers teach and train you on how to use what you have learned.

For this reason, the ability to interact comfortably with your singing teacher is very important. There must be good chemistry between the teacher and the student. It is therefore not unreasonable for the student to request for a ‘consultation lesson,’ when you are selecting your singing teacher. This is done so that your singing teacher and you may become acquainted with each and come to an understanding on the development of an agreeable teacher student relationship.

You want to establish some kind of rapport with your potential singing teacher. Ask yourself if you will be comfortable with this person because you will be developing a relationship with this person and training together few times a week. You want to enjoy learning singing and not have your singing lesson feeling like a chore. This is why you should never sign up with a singing teacher merely on the basis of a telephone conversation.

Always arrange for a meeting as you will need to explore your singing teacher’s background although before your meeting, you will probably have researched much the teacher’s background over the phone or through a biographical sheet that professional singing teachers should have. If possible, ask for testimonies from their ex-students. These testimonies will be an indication of how popular and credible your singing teacher is.

When you think that your potential singing teacher has sufficient and appropriate professional singing background that is comfortable to you, then you can proceed to ask questions about matters you find important such as the singing lesson’s curriculum and your expectations. You may also like to sing songs of a particular genre, if so, find out if your singing teacher is able to coach you on the genre that you like, whether these are pop songs, classical or even jazz singing.

Unless you are absolutely certain that this is a musical match that will work, do not immediately commit to anything. Take time to see the other potential singing teachers on your list. Remember, choosing a good singing coach will definitely give your singing career a great head start, so choose wisely.

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Article Source: http://www.articlealley.com/article_1783605_24.html

This blog started out as a simple repository of basic information, then it grew to be a place on the web that is dedicated to vocal coach. We thank everyone who contributed to our blog and also the people who painstakingly take time to read and comment - to make our site the best that it could be.

Filed Under: Vocal Coach

Singing Career – III

Posted by Melissa Ellen on September 11, 2010 with 0 Comments

Singing Career – III

Organize for your singing business

Plus, What to know first about Singing original songs

Just as with your contacts, you should organize all of your singing business. Any correspondence should be documented and organized, i.e. emails sent or received, contracts sent or received, press received. Keep information regarding any songs you will be singing in separate documents in your computer, and in one or two folders with lyrics, songwriter information, charts, keys of songs, song lists, set lists for gigs.

If you will be singing original songs you should know copyright, authorship and PRO information. You must be clear about whomever wrote the songs you are singing, make sure they have copyrights, and if any royalties are to be paid the material must be registered with a performance rights organization.

Singing career for Miranda lambert Copyright

Be sure to copyright any material that you wrote or co wrote with the Library of Congress at http://copyright.gov and then register it with a performing rights organization (PRO). Your PRO affiliation can wait a minute, but your copyrights cannot. If you plan to send your singing to anyone in the music business, or sell your songs anywhere, it is mandatory that your original songs show copyright information. Songs you wrote that you will not be singing also will be turned away and discarded if they do not have copyright clearly marked on them. It can take up to six months for your copyright application to get through the system via postal mail. However they do have an electronic copyright process now. Yay!

Join and Register

A PRO is a Performing Rights Organization. There are three of them: ASCAP, BMI, and SESAC. (All three are .com websites.) PRO’s are the royalty collectors. They collect monies between copyright holders and those who want to use copyrighted works publicly. Then they send the copyright holders like you and me, our royalty checks. In order to get paid for your written songs you must have copyrights for each song, be affiliated with/ a member of a PRO and register each song and its corresponding copyright number with your chosen PRO. There are mechanical rights and performance rights too which apply to the songs you write that someone else may be singing and the songs you are singing that you did not write. Then when you hear your song on the radio or a TV show or in a shopping mall, you know you’ll be getting paid for its use. It definitely gets more complicated than this, however this is the bottom line of your responsibilities whether you are singing or songwriting.

Filed Under: Music Biz, Vocal Coach

Singers Need Equipment Too

Posted by Melissa Ellen on September 3, 2010 with 0 Comments

Working toward being a pro singer? You should have your own equipment for gigs and know how to use it all. At the very least, a singer should have a microphone. The most commonly used microphone for live performances is a Shure SM58. They retail for $99 to $119. They are common because of the price, the sound and the fact that they withstand a lot of wear and tear. The next step after getting a microphone is to get a mic cord, and a mic stand and clip. The cord should be ‘low impedence’ which, for all intents and purposes, is three pronged. These are the basics.

It’s a great idea to have a folding music stand and a clip on light. If you’ve got the cash and you are ready to invest in yourself, you could purchase your own wireless microphone, effects, or in ear monitors. Just make sure that you learn how to use everything and how to hook it all up. It’s a mistake to assume that the sound person will automatically know how to hook up your gear. Remember, if you have any of these pieces be sure to bring batteries and appropriate cords with you to a gig. I would suggest bringing your ‘regular’ mic and cord as well just in case.

Other:

If you have the opportunity for a sound check, do not miss it. This is your chance to communicate with the sound person and make sure your equipment is in place and working. You will also know where to stand in order to hear yourself on stage.

For a long time, I watched my band mates or the sound person set up all the equipment for our gigs, asked questions and took notes. It really made a difference for me to have that knowledge. I also earned some respect because I knew what was going on and didn’t just walk in at gig time.

Filed Under: Live, Music Biz