Chuck L Stewart Basic Author Joined: March 10, 2009 5 Articles
The reason for this is that there is very little standardization in the arts, in general. So, you might be getting a lesson that is fifty or a hundred years behind the times. All singing lessons are not the same. Shopping for singing lessons is like shopping for new and used cars. The differences are vast. You sometimes do not know what you are paying for until you run into the disappointment of having made a bad decision.
Some people say that the most important thing about singing is breathing. Some say that you “sing from your diaphragm”. Not only do they say that, they are adamant about this being the only correct way to sing, as if they are religious zealots. They sometimes get angry when you question this. They let you know that “everybody knows that”. This is simply untrue. You do not and cannot sing from your diaphragm. Physicians have known this for a long time. For over a hundred years, physicians have known the function of the diaphragm. I’ve asked several doctors about this and they all agree that the diaphragm is your “inhale muscle”, not your “exhale muscle.” Ask your own doctor next time you get a chance to visit with him or her. How much is a useless lie worth to you?
Here is a free online singing lesson: “Sing from your diaphragm!” Since this is an impossible thing to do, it is useless advice. Did you know that your diaphragm does not have proprioceptive nerves in it? This means you cannot feel it, let alone manipulate it in magical ways to make it work upside down.
You could get a lesson on singing classical music. What if you want to do R&B, pop, jazz, or country music? Some classical teachers would say that what you are doing isn’t even music. Some would say there is only one way to sing and that is opera. Some classical singing teachers would tell you that R&B, pop, jazz, and country music is all junk and isn’t even music. There is even a term, which I have heard from some jazz musicians use, calling classical music “legit”, short for legitimate music. What is the rest? Illegitimate? Is that not at least a distasteful term? If you do want to sing classical music, what if your teacher only teaches country?
You could get a lesson on how to place your tone in the “masque” or how to place it forward. You might be able to get your sound all up in your nose but you will find it difficult to place your tone somewhere, unless you have had mechanical placement valves installed by your ENT, along with the remote control mechanism. Who wants wires coming out of their heads unnecessarily? What travels at 750 miles per hour? Sound. How long does it take sound to emerge from your vocal folds (vocal cords), until it exits your mouth? Assuming that is less than a 12 inch distance, try doing the math on that one. Also take a look at some anatomy charts and books and see if you can find placement valves.
Let’s say that you have a specific problem that you want help with. Your voice cracks or you might say that you have a break in your voice. If your online teacher doesn’t know a passaggio from a potato, then you might instead buy yourself some French fries instead of an online singing lesson. Your money might be better spent.
Your voice can be used as a musical instrument. It is a living mechanism with several functions. There are muscles, ligaments, cartilages and living tissue, which can be used, exercised, coordinated and controlled to make some amazing music. It is a great idea if a voice teacher truly understands the function of the larynx. The tongue, lips, the jaw, and teeth are also used for articulation. There are two main types of vowels and several subtypes. There is a safe and effective to warm up your voice before you use it and this can save you trouble and can enhance your performance and your endurance. There are other things you can do which might harm your voice. You do not want to discover these things by accident.
You can find information about singing on my website (http://www.vocaleasy.com). It continues to grow and change as I continue to learn more about the voice from teachers and doctors. It was once thought that if you mix art with science that you will destroy the art. If you ignore the wonderful discoveries in the medical field, you may have a very short singing career.
Chuck Stewart
Chuck Stewart, Vocal Coach
http://www.vocaleasy.com
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Author: sin
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There are many different types of how to sing training available. Some train to sing in church. Others focus on country singing. Still others put their energy into learning to sing opera. Each type of music and singing has its own special requirements and there are training lessons available that meet these requirements.
How to sing training is not only divided up into the different styles of singing one can do. There are also different methods of offering the lessons available. The absolute best way to get vocal training is to hire a singing coach to help one learn the mechanics of singing, including breath control, resonance, and pitch. One-on-one training of this type allows for the greatest level of interaction between student and teacher. It also costs far more than any other type of lessons.
CDs and DVDs
Some of the best vocal coaches in the world have created DVD and CD based courses that provide how to sing training in the privacy of one’s home. These courses are set up to show the students the proper methods of breathing and singing to expand the person’s range and help him/her sing more powerfully. These lessons do not allow for the direct interaction between student and teacher that personal lessons do. These lessons also cost far less than one-on-one lessons with these vocal trainers.
Ebook Lessons
Some lessons can be found on the internet in the form of eBooks and/or interactive lessons with the coach on instant messenger or email. Video and audio content can be downloaded to one’s computer so that the lessons can be viewed or listened to at one’s leisure.
Finally, how to sing training books can be purchased in many music stores, book stores, and online. These books often lack the interactivity required to be of any use to new singers. However, more advanced singers who already know the basics can benefit from these books.
How to sing training is available for anyone, regardless of the singing style they follow. Rock/pop, country, gospel, solo, or choir, the mechanics of breathing properly, sustaining breath, creating notes with the voice, and projecting remain the same. Therefore, taking vocal lessons at any point in time or for any particular style can be useful across all musical disciplines. Once the mechanics are mastered, one can dedicate his/her energy to applying the lessons learned to the musical style that he/she is most interested in learning to sing.
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Beyond learning how to read music scores, what a singing teacher will do is to impart and train you the correct singing techniques. While a university professor teaches you about what you have studied and how to interpret it, singing teachers teach and train you on how to use what you have learned.
For this reason, the ability to interact comfortably with your singing teacher is very important. There must be good chemistry between the teacher and the student. It is therefore not unreasonable for the student to request for a ‘consultation lesson,’ when you are selecting your singing teacher. This is done so that your singing teacher and you may become acquainted with each and come to an understanding on the development of an agreeable teacher student relationship.
You want to establish some kind of rapport with your potential singing teacher. Ask yourself if you will be comfortable with this person because you will be developing a relationship with this person and training together few times a week. You want to enjoy learning singing and not have your singing lesson feeling like a chore. This is why you should never sign up with a singing teacher merely on the basis of a telephone conversation.
Always arrange for a meeting as you will need to explore your singing teacher’s background although before your meeting, you will probably have researched much the teacher’s background over the phone or through a biographical sheet that professional singing teachers should have. If possible, ask for testimonies from their ex-students. These testimonies will be an indication of how popular and credible your singing teacher is.
When you think that your potential singing teacher has sufficient and appropriate professional singing background that is comfortable to you, then you can proceed to ask questions about matters you find important such as the singing lesson’s curriculum and your expectations. You may also like to sing songs of a particular genre, if so, find out if your singing teacher is able to coach you on the genre that you like, whether these are pop songs, classical or even jazz singing.
Unless you are absolutely certain that this is a musical match that will work, do not immediately commit to anything. Take time to see the other potential singing teachers on your list. Remember, choosing a good singing coach will definitely give your singing career a great head start, so choose wisely.
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Just as with your contacts, you should organize all of your singing business. Any correspondence should be documented and organized, i.e. emails sent or received, contracts sent or received, press received. Keep information regarding any songs you will be singing in separate documents in your computer, and in one or two folders with lyrics, songwriter information, charts, keys of songs, song lists, set lists for gigs.
If you will be singing original songs you should know copyright, authorship and PRO information. You must be clear about whomever wrote the songs you are singing, make sure they have copyrights, and if any royalties are to be paid the material must be registered with a performance rights organization.

Copyright
Be sure to copyright any material that you wrote or co wrote with the Library of Congress at http://copyright.gov and then register it with a performing rights organization (PRO). Your PRO affiliation can wait a minute, but your copyrights cannot. If you plan to send your singing to anyone in the music business, or sell your songs anywhere, it is mandatory that your original songs show copyright information. Songs you wrote that you will not be singing also will be turned away and discarded if they do not have copyright clearly marked on them. It can take up to six months for your copyright application to get through the system via postal mail. However they do have an electronic copyright process now. Yay!
A PRO is a Performing Rights Organization. There are three of them: ASCAP, BMI, and SESAC. (All three are .com websites.) PRO’s are the royalty collectors. They collect monies between copyright holders and those who want to use copyrighted works publicly. Then they send the copyright holders like you and me, our royalty checks. In order to get paid for your written songs you must have copyrights for each song, be affiliated with/ a member of a PRO and register each song and its corresponding copyright number with your chosen PRO. There are mechanical rights and performance rights too which apply to the songs you write that someone else may be singing and the songs you are singing that you did not write. Then when you hear your song on the radio or a TV show or in a shopping mall, you know you’ll be getting paid for its use. It definitely gets more complicated than this, however this is the bottom line of your responsibilities whether you are singing or songwriting.